REVENUE

COLLABORATION & VISION

This amp is not my own. Even if I wanted to buy one, they’re rare as hens’ teeth and aren’t currently in production. Thankfully, through the wonderful connections made possible by social media, I recently became friends with Isaac Cook, a current Elliott artist. Isaac had been using some of my ToneX captures and enjoyed them enough to graciously loan me his Revenuer for the purpose of capturing. The goal was to create capture sets designed in partnership with Isaac that perfectly compliment his favorite Elliott guitars—the James Duke 357, the Raven, and the Tone Master. After almost a year in the making, Isaac and I are very proud of the captures we’ve created together and are excited to share them with you! But worry not, even if you don’t own an Elliott guitar, we’re sure there’s a capture in here that will fit whatever’s in your arsenal. Read up about each capture below.

CAPTURES

RAVE

These captures are designed around an Elliott Raven traditionally voiced humbuckers. But, as with all these captures, feel free to experiment with different guitars and pickups, you may be surprised at what works for you! These captures were dual miced with a Shure 545D and an R-121 and run through an API Preamp with mild EQ.

Captures

• TS REV RAVE GLD - 1

• TS REV RAVE GLD - 2

• TS REV RAVE GLD - 3

• TS REV RAVE GLD - 4

• TS REV RAVE GLD – 5

• TS REV RAVE G12H75 - 1

• TS REV RAVE G12H75 - 2

• TS REV RAVE G12H75 - 3

• TS REV RAVE G12H75 - 4

• TS REV RAVE G12H75 - 5

• TS REV RAVE - HEAD 1

• TS REV RAVE - HEAD 2

• TS REV RAVE - HEAD 3

• TS REV RAVE - HEAD 4

• TS REV RAVE - HEAD 5

357

These captures are designed around an Elliott 357 James Duke Signature guitar with modified gold foil pickups. I find these captures work great with my Nash T-52 Tele with Lambertones Blondies. These captures were dual miced with a Shure 545D and an R-121 and run through an API Preamp with mild EQ.

Captures

• TS REV 357 GLD - 1

• TS REV 357 GLD - 2

• TS REV 357 GLD - 3

• TS REV 357 GLD - 4

• TS REV 357 GLD - 5

• TS REV 357 G12H75 - 1

• TS REV 357 G12H75 - 2

• TS REV 357 G12H75 - 3

• TS REV 357 G12H75 - 4

• TS REV 357 G12H75 - 5

• TS REV 357 - HEAD 1

• TS REV 357 - HEAD 2

• TS REV 357 - HEAD 3

• TS REV 357 - HEAD 4

• TS REV 357 - HEAD 5

TM

These captures are designed around an Elliott Tone Master with P90 pickups. Since P90 pickups sit in between a single coil and a humbucker, you should try this capture with any guitar you have, just to see how it fits. These captures were dual miced with a Shure 545D and an R-121 and run through an API Preamp with mild EQ.

Captures

• TS REV TM GLD - 1

• TS REV TM GLD - 2

• TS REV TM GLD - 3

• TS REV TM G12H75 - 1

• TS REV TM G12H75 - 2

• TS REV TM G12H75 - 3

• TS REV TM - HEAD 1

• TS REV TM - HEAD 2

• TS REV TM - HEAD 3

SC

This round of captures wasn’t designed to work with a particular Elliott guitar but rather it was designed to work well generally with all kinds of single coils. Try this with your strat, tele, JM and more! These captures were dual miced with a Shure 545D and a M160 and run through an API Preamp with mild EQ.

Captures

• TS REV SC GLD - 1

• TS REV SC GLD - 2

• TS REV SC GLD - 3

• TS REV SC G12H75 - 1

• TS REV SC G12H75 - 2

• TS REV SC G12H75 - 3

• TS REV SC - HEAD 1

• TS REV SC - HEAD 2

• TS REV SC - HEAD 3

HEAD CAPTURES & IRS

These are “no compromise” head captures. All heads were captured with the matching cabs connected at full volume for proper impedance matching for the best tone possible.

Impulse Responses have been included in the download with this file. Each impulse response is a custom blended IR that matches the dual mics, cab, preamp, and EQ that was used for each of the full captures.

IRs

• TS IR REV RAVE G12H75 BLEND 48

• TS IR REV RAVE GLD BLEND 48

• TS IR REV 357 G12H75 BLEND 48

• TS IR REV 357 GLD BLEND 48

• TS IR REV TM G12H75 BLEND 48

• TS IR REV TM GLD BLEND 48

• TS IR REV SC G12H75 BLEND 48

• TS IR REV SC GLD BLEND 48

PRESET NAMING

GAIN STAGES

The Revenuer has a ton of clean headroom and really doesn’t start breaking up until very late in the volume sweep. You may find you need to reach for a higher gain stage than my usual captures to find a true “edge of breakup” tone.

1-2                   Clean

3-4                  Edge of Breakup

5                      Crunch

SPEAKERS

·      GLD | Celestion Alnico Gold 50W 8 ohm

·      G12H75 | Celestion Heritage G12H(75) Greenback 30W 8 ohm

CAB

·      Zilla Studio Pro 2X12 Open Back

MICS

*Each capture used a unique blend of mic placement and API EQ. There was no “copy and paste” with the mics or settings. Each capture received special care to dial it in specifically for each target guitar (see Vision below).

·      Shure 545 USA

·      Royer R-121

·      Beyerdynamic M160 (SC Caps Only)

PREAMP

·      API Preamp & EQ

As with all my digital products, I’m offering lifetime updates to this TONEX pack with your one-time purchase. This means any new method I use to capture this amp (different microphones, mic placement, preamps, EQ, level and drive settings, etc.) will be passed along to you for free!

Make sure you create an account on checkout to ensure easy access to download the updates in the near future.